SPOILER ALERT!! My notes on Silong: 1. Do you know how those M. Night Shyamalan movies relied on a twist to make the audience think that they're watching something clever? This one felt exactly like that. I wouldn't be surprised if people would compare this to other similar films of late (Gone Girl, Return to Sender) or similar torture porn out of Eli Roth's ouevre or even the camp classic Boxing Helena. Even with all the red herrings thrown in the first hour of the film, all the twists were just too obvious.
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