Starring Alessandra de Rossi and Empoy Marquez under the direction of Sigrid Andrea Bernardo My notes on Kita Kita: 1. Where do we draw the line between persistence and obsession? Do we consider a grand gesture like asking someone out for a coffee date via a huge billboard in Morayta sweet or repulsive? If Xian Gaza actually looked like Daniel Matsunaga, would he still be considered a creepy stalker or just a determined romantic? 2. One of my biggest concerns with this movie was that after it made us fall in love with its unconventional lovers, it tried to sell us this disturbing (and Machiavellian?) big reveal that nothing was actually wrong with the couple's predator-prey relationship history (I felt the exact same way when Maricel Soriano fell in love with her rapist in Dahas, but then that wasn't even close to being a romantic-comedy). He knowingly took advantage of her disability, period.
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